This superbly crafted documentary takes on the controversial topic of the paparazzi by chronicling the story of the "Pope of Paparazzo", Ron Galella. A far different character from the aggressive parasites of today, Galella approached his work not only as an industry, but as an art. In his own voyeuristic, somewhat stalker-ish fashion, he developed relationships with his subjects, allowing him to predict their movements, their behaviors and, ultimately, to catch moments of raw truth on film.
While this film's goal was primarily to tell Galella's story, it was fair in its recognition of the world's negative (sometimes vicious) view of paparazzi and included those voices in the account, as well as the ongoing legal debate around the issue. Just as Galella's work often does for celebrities, this film humanized him, making him more sympathetic, genuine and even respectable as a passionate professional.
It is impossible to analyze this subject without considering First Amendment rights and the Right to Privacy, which this film addresses through the various lawsuits Galella was a party to, opinions from lawyers (many of whom were involved in those suits) and the opinions of various members of the entertainment and publishing industries. These rights often create conflicting situations and the law has frequently ruled in favor of free speech (1st Am.). There are a number of factors that must be examined, including what rights "public figures", such as celebrities, are required to forego. Wherever you stand on this issue, it is a fascinating topic and the film does a relatively good job of demonstrating the concerns of both sides.
In the end, Galella is a charming, persistent character, who, for better or worse, pioneered and defined one of the most successful genres of photography. There is no question that celebrity photos are demanded in the greatest volume and yield the highest purchase prices, by publishers and the public; so can an entrepreneur with gumption like Galella really be blamed for serving this demand?
Personally, I'm glad that Galella's work is being recognized in museums and galleries for its worth as vital, verité pop art. I just hope, idealistically, that the publishers and desperate, boundary-less paparazzi of today learn to find a bit of art in their work. The public might think they want Brittney crotch shots and fashion faux pas, but our society will only be elevated by creating content fueled by truth and respect, rather than exploitation and shame.
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